Saturday, November 6, 2010
Exercise from LAR Workshop #2
Thursday, November 4, 2010
Exercise from LAR Workshop
you can see
it’s hard to see his eyes but I’d bet they’re closed
guitar neck parallel to the floor
he plays it under his chin sometimes
so you can see his hips swim
ass wrapped in blue denim
painted on so tight, you can see
how much change he’s got in his pocket
his hat pulled down like a bronc buster
in the gate ready for the door to be pulled
you can see the clowns
are just waiting for him to say "ok"
pointy-toed boot moving from 12 to 3
and when the song swings more
his whole foot moves through the range
you can see
in heaven I am Dwight Yoakam
and there he may be me
which is a different ball of wax entirely
our bones and my cicadas
you sitting sidesaddle on my lap,
my chin resting on the shelf your collarbone makes
the words I’m reading rattling in your temples
thin, loose window panes in a thunderstorm
participles transmitted through my mandible
consonants through your clavicle
but lost in between your incus, your stapes
and the tremors in my hands
(dampened by your touch)
turn this book’s pages into cicadas
that eat holes in these pages
we nurtured and grew so many years ago
Driving across Canada, three thousand-odd miles in a light rain
with wet roads in the windshield
the same deep black as a printer's ink
or fried emulsion,
to see if one ocean is so different from another.
Provinces go past
west to east
with our travelogue narrated
by wipers' creak and tires' thrum,
punctuated by truck stops, motels, Tim Hortons
until sun sets, fade to black, start again tomorrow,
until we can see the ocean.
Past Aillik, past the hills.
The distance dampens the waves
like an oil slick
so that only the occasional whitecap breaks through,
drawing attention to itself like a chipped tooth in a smile.
We dip our toes in,
and walk next to the water,
rougher now that we are next to it,
you hold my hand as we mull about how different
this is from that,
and how, when we close our eyes, there's no way to know.
Revised version...
Dog dreaming and I
The dog sleeps at my feet under the table
the shape of parenthesis from a heavy-handed writer.
Hardly still, even at this moment,
his feet paw at the air in short strokes,
and his muzzle draws back to show his teeth
to his pursuers,
whimpers in sotto voce muezzin to the quarry
get ready, prepare, now is the time.
I follow suit,
close my eyes and see (he, also sleeping)
the chase (in his own separately dreaming)
his profile, running,
spine tracing the arcs of sine curve
in pursuit of all that dogs dream.